The Black Eagle Pavilion is an architectural marvel that encapsulates a unique blend of influences and ingenuity. While the first and most famous of this pavilion type is located in Naples, similar structures have since emerged in Milan and other cities, reflecting a widespread architectural movement. In this regard, the pavilion's designers, Marcell Komor (1868-1944) and Dezső Jakab (1864-1932, Budapest), are noteworthy figures. Both architects were among the most important in early 20th-century Hungary. They were followers of the "Lechnerian style," adopting and modifying the stylistic language of their teacher, the renowned architect Ödön Lechner.

Contractor Ferenc Shtareel from Oradea brought the architectural plans to life. At the same time, the ownership and silent partnership of the building were vested in two Jewish lawyers and business people, Dr. Kurleander Ede and Dr. Adorjan Emil. Similar to their teacher Ödön Lechner, who was a pioneer in blending Hungarian folk art into modern architecture, Komor and Jakab also incorporated decorative elements derived from Hungarian traditions into their designs.

The Black Eagle Pavilion, therefore, stands not just as a building but as a continuum in a line of architectural thought that began with Ödön Lechner. Like Lechner, whose work is often compared to Antoni Gaudí and seen as an early representative of the Secession in Hungary, Komor and Jakab’s work also echoes a broader tradition. Their design can be seen as a part of the narrative of Hungarian organic architecture that continued to evolve, particularly evident in works by Imre Makovecz and György Csete in the mid-1970s.