Pinsteps. Palatul Rimanóczy: The Eclectic Gem That Couldn't Decide If It Was Cá d’Oro's Twin or Its Own Marvel
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The home of the most esteemed and revered residents of Oradea during their lifetimes—the house of architects Rimanóczy, father and son. This "inaccessible monument," Palatul Rimanóczy Kálmán-senior, was built eclectically with Gothic elements and dates back to 1905. It is a much-simplified copy of the Venetian palace Cá d'Oro (House of Gold).

The owner and builder was architect Kálmán Rimanóczy senior, and the designer was his renowned son, Kálmán Rimanóczy junior. This beautiful palace replaced an older house that the Rimanóczy family also owned. The owner's intent to erect a monumental building on this site dates back to 1859.

Rich in visionary architecture, the palace employs a medieval narrative, symbolizing the father-son relationship in architecture. It draws inspiration from 15th-century sculptor Giovanni Bon and his son Bartolomeo, mimicking their work. The exterior showcases decorative elements and structures from Venice's flourishing Gothic period, characterized by frequent use of Byzantine and Moorish elements.

The three-story building houses numerous apartments, and the ground floor was designed to be high to rent the spaces for commercial use. It features an elevated ground floor, two levels, a corner turret with undulating windows, and two semicircular gables on the main facade.

The first floor has pointed arch windows framed by arcades and decorative curves with geometric motifs. The facade decorations and roof cornices are similar to Venice's Cá d'Oro. The palace also has an exterior gallery on the second floor, covered with arcades that repeat on both levels.

After Kálmán death, architect Rimanóczy senior bequeathed the palace to the city.


Pictures uploaded by @Evgeny Praisman
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Evgeny Praisman
Oradea

Your walking tour could start at the Church of the Descent of the Holy Spirit, a spiritual cornerstone of Oradea, reflecting centuries of faith and community. As you meander through the city, you approach the grand Moskovits Palace and the elegant Stern Palace, each a testament to the opulent past and architectural splendor of the city.

Passing the Apollo Palace, you're reminded of the city's artistic and theatrical heritage, culminating at the grand Maria Theater, a cultural beacon that has hosted countless performances. Nearby, the central Piata Unirii (Union Square) is not just the heart of the city but also a gateway to the Black Eagle Palace, an icon of Art Nouveau architecture.

As you explore, the cityscape tells stories of Oradea's literary circles and poets who frequented these landmarks, weaving a rich tapestry of cultural and intellectual history. The Black Eagle Palace, in particular, with its cafes and halls, might have been the very place where literary societies gathered, and muses were met, against a backdrop of architectural beauty. This is a journey not just through the streets of Oradea but through the annals of its vibrant cultural and literary past.

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Evgeny Praisman (author)
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