In October 2012, in front of the Endre Ady High School in Oradea, a sculptural composition by Árpád Deák featuring Endre Ady, Gyula Juhász, Ákos Dutka, and Tamás Emőd was unveiled. The artwork honors the figures of the "Holnap" (Tomorrow) literary movement, which was enthusiastically praised in Oradea over a century ago. In an issue of "Nagyváradi Napló" (Oradea Daily) from March 25, 1914, Gyula Juhász wrote passionately about the short-lived but impactful movement: "Yes, it's pleasant to reminisce about it because, let's admit, since then there hasn't been a more selfless, Hungarian, and poetic literary movement organized on a shareholder basis that even distributed dividends to poets. I love the persecuted, mocked, and now defunct 'Holnap,' despite the ridicule, persecution, over-promotion, and silence because it was my youth, sincere, enthusiastic, eternally melancholic youth."

The "Holnap" literary society aimed to revolutionize early 20th-century Hungarian literature. Initially conceived as a regular literary journal, it instead released anthologies that ruffled feathers in conservative circles. Their first anthology, "A Holnap," made its debut in September 1908, edited by Antal Sándor and triggering a national campaign against them. Though they aspired to release a journal, the society only managed to produce a second volume of the anthology in 1909, edited by engineer Kollányi Boldizsár.

The anthologies were shrouded in controversy from their inception, shaking up Hungarian cultural and social landscapes from Oradea to Budapest. The society played an active role in cultural events, even collaborating with the "Nyugat" literary group despite ideological differences. The enduring impact of "Holnap" is seen in its influence on later generations and its role in defining the divide between modern and conservative elements in Hungarian literature.